- Playing & Teaching
- Issue archive
- More navigation items
In his regular ‘Continental Happenings’ column, the acerbic George Cecil rounds up some of the more unusual string-related news and performances around Europe
If recitals are few, the cinemas provide much employment for those who perform on stringed instruments. Managers of the Grands Boulevards establishments pride themselves on their musical programmes. “Figaro” recently was given at this establishment, the foundations of the extremely interesting and well-produced film being taken from the plots of “Il Barbiere” and “Le Nozze di Figaro,” while airs from both operas are skilfully woven into the orchestral accompaniment. Had these been accorded thetempi intended by Rossini and Mozart, respectively, they would have afforded far greater satisfaction. “Dove sono,” for example, is marked “andante”; the ignorant conductor evidently considered “largo di molto” appropriate. But the French never understand any music outside their own; nor are they ever likely to do so…
Already subscribed? Please sign in
We’re delighted that you are enjoying our website. For a limited period, you can try an online subscription to The Strad completely free of charge.