All Performance nerves articles
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FocusThe Strad Podcast #13: Dr. Renée-Paule Gauthier on dealing with performance anxiety
‘We go quickly from “this is out of tune” to “I’m the worst human being on the planet!”’
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Focus
How to perform with confidence – 3 golden rules about stage performance
In the final instalment of his four-part blog series, Junior Guildhall violin professor Ivo Stankov shares tips on performing
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The Inner Monsters responsible for performance nerves
In order to equip musicians for emotionally disconnecting from their negative thoughts, flautist Katie Frisco unpacks the three categories of Inner Monsters she characterises as being responsible for performance anxiety
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Blogs
10 tips for a successful orchestral audition
Chicago Symphony Orchestra cellist Brant Taylor offers advice to candidates hoping to succeed in that all-important orchestral audition
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Blogs
How can I help to conquer performance nerves by warming up my stiff, cold hands?
Brian Hodges and Diana Allan share their tips on coping with stage fright
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Focus
Four alternative methods to make sure your practice efforts survive the pressures of performance
A violist with a background in neuroscience, Molly Gebrian shares some alternative practice methods informed by studies on how our brain processes learning
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Focus
8 ways to combat negative thoughts on stage
How to banish your inner demons from The Strad's Archive
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Premium ❘ Focus
The secrets of violinist Dorothy DeLay's teaching methods
Violinist Piet Koornhof witnessed Dorothy DeLay's extraordinary teaching skills as one of her students at the Juilliard School in New York. In 2001 he analysed what made her method so successful
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Me and my teacher: Dan Styffe and Gary Karr
The double bass virtuoso taught Styffe how to control the pressures of the world outside the teaching studio
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Ask the Experts: should players separate technique and musicality in practice?
A violinist asks if players should separate technique and musicality when preparing a piece for a performance, and if there is a strategy that can help combat performance nerves
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Harnessing breathing to improve your string playing
Breathing naturally is one of the first principles of Alexander teaching - and it's a must for anyone who suffers from stage fright, says Joseph Sanders
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7 techniques to combat stage fright
How often has a potential performance of a lifetime turned into a performance from hell? Are you suffering from stage fright? Laurinel Owen gives advice on overcoming this common affliction
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Premium ❘ Feature
From the Archive: the difficulties of playing in tune
The Strad writer E. Polonaski bemoans the number of string players with suspect intonation in our March 1893 issue
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Focus
5 tips for conquering performance nerves from 5 solo string players
Artists share their wisdom on battling the fear monster, as featured over the last five years of The Strad
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Blogs
The 5 steps to natural stage presence
Cellist and workshop leader Ruth Phillips explains how yoga and meditation liberated her from the prison of stage fright
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Focus
Kim Kashkashian's top 5 tips on combating stage fright
The Armenian-American violist used to get ‘terribly nervous’ when performing as a teenager. Here she shares her tips on preparing psychologically for a concert
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Focus
10 views on the benefits of slow practice
Debate on how best to harness slow practice from The Strad Archive
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Blogs
Playing the violin places constant strain on the body, yet we leave posture to chance
A holistic approach to teaching should treat healthy body position as seriously as scales and etudes
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Blogs
6 mindfulness techniques for music teachers
Mindfulness is an invaluable tool for teaching students how to concentrate on-stage, improve awareness in the practice room, play pain-free, and move on from disappointing auditions or performance experiences, writes Dr. Travis Baird
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Blogs
9 ways for musicians to think like top athletes
Carole Talbot-Honeck earned her Masters degree from The University of Ottawa studying the psychological prerequisites for optimal musical performance. Here, she outlines a number of sporting attitudes, which are of equal value to musicians
