Latest lutherie – Page 8
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GalleryFrom the archive: a c.1720 violin by Carlo Bergonzi
John Dilworth examines an early violin by the Cremose maker, which used to belong to Paganini. First published in the April 2006 issue
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From the archive: a 1709 violin by Carlo Tononi
In the January 2009 issue, Simon Morris took a closer look at a violin from Tononi’s Bologna period, before the death of his father Giovanni
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From the archive: a c.1845 violin by Pressenda
Recent research shows that Giovanni Francesco Pressenda worked as a farmer before turning his hand to instrument making. In this article from the April 2005 issue, Alberto Giordano examines a late c.1845 violin
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From the archive: a 1759 viola by Antonio Bagatella
In this article from the February 2015 issue of The Strad, Jens Stenz takes a close look at a short but broad 18th-century Milanese viola
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Jan Vogler's 1707 ‘Fau, Castelbarco’ Stradivarius
In this extract from an article published in the August 2017 issue, Jan Vogler discusses how he first encountered the cello that is now his constant companion
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Füssen, Germany’s first lutherie capital, began as a hotbed of lute making
Nowadays best known for its neo-Gothic castles, this south German town has possibly the oldest lutherie tradition of any in the country. In this extract from the April 2018 issue of The Strad, Thomas Riedmiller traces its beginnings
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From the archive: a c.1744 violin by Michele Angelo Bergonzi
In this article from the October 2010 issue, Christopher Reuning examines a violin by Carlo Bergonzi’s eldest son which has previously been misattributed as a Guarneri ‘del Gesù’ and Lorenzo Guadagnini
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From the archive: a 1724 cello by Alessandro Gagliano
In this article from the May 2005 issue, John Dilworth examines a fine 1724 cello by Alessandro Gagliano, founding father of the Neapolitan violin making dynasty
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From the archive: the 1734 ‘Spagnoletti’ Guarneri ‘del Gesù’ violin
In this article from the February 2005 issue of The Strad, John Dilworth looks at the history of the 1734 ‘Spagnoletti’ Guarneri ‘del Gesù’ violin, which, unusually, can be traced all the way back to its Cremonese origins
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From the archive: an 1752 violin by Tomasso Balestrieri
This is an extract from an article in the July 1993 issue of The Strad, in which John Dilworth examined the Mantuan school – and the connections of its luthiers to Piacenza
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From the archive: an 1823 violin by Nicolas Lupot
These photos and below text were featured in the January 1993 issue of The Strad, along with a biography of Lupot and his part in instigating a French school of violin making
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From the archive: a 1792 viola by Venetian maker Anselmo Bellosio
In this extract from an article in the June 1992 issue of The Strad, John Dilworth takes a look at a small viola by the last of the great Venetian makers
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From the Archive: Andrea Amati, 1564 'Charles IX' violin from the Ashmolean Museum collection
In this extract from an article from the December 1991 issue of The Strad, Roger Hargrave discusses the ‘Charles IX’ Andrea Amati instruments with particular reference to this 1564 example from the Hill collection at the Ashmolean Museum in Oxford
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From the archive: a c.1700 cello by Pieter Rombouts from the workshop of Hendrick Jacobs, Amsterdam
This cello was featured in a two-part study by John Dilworth of Dutch maker Hendrick Jacobs in the September and October 1991 issues of The Strad. The following is an extracted from that article
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From the archive: an interview with Amnon Weinstein in 1991
This photo of an experimental viola design was included in an article by Shmuel Segal in the October 1991 issue of The Strad on the Weinstein workshop in Tel Aviv. Amnon Weinstein has more recently been noted for his ‘Violins for Hope’ project
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In focus: the 1736 ‘Cessole’, ‘Teja-Ferni’ Guarneri ‘del Gesù’
Although Guarneri ‘del Gesù’ is best known for his wild, unruly later masterpieces, this 1736 violin reveals his softer side, as Carlo Chiesa explains in this focus on a Strad poster instrument first published in the July 2010 issue
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Dragonetti’s Gasparo da Salò double bass and its seismic effect on English lutherie
The importance to English bass making of the great Italian double bassist Domenico Dragonetti has been underestimated. Bass makers Thomas Martin, Martin Lawrence and George Martin reveal how the musician and his Gasparo da Salò instrument had a direct influence on London’s luthiers
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From The Strad Calendar 2018: Stradivarius 'Chigiano' cello, 1680
Based in Cremona, the Friends of Stradivari network brings together instruments owned by collectors and stringed-instrument enthusiasts from around the world. The Strad Calendar 2018 celebrates twelve of these treasures, with this cello from the Fondazione Accademia Chigiana collection featuring in December. Text by John Dilworth
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From the archive: Rivka Golani talks about her Otto Erdesz viola
These photographs of a cutaway viola by Otto Erdesz appeared in the May 1991 issue of The Strad alongside an interview with Israeli violist Rivka Golani, who still plays the instrument to this day. An extract of the article by Mark Pappenheim is below
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From the archive: Yehudi Menuhin discusses his violins, including this Guarneri copy by Glen Collins
These photographs of a 1987 copy of the ‘d’Egville’ Guarneri by Glen Collins appeared in the April 1991 issue alongside an interview feature with Yehudi Menuhin on the occasion of his 75th birthday. The interviewer was Tully Potter – who still works with The Strad as our historical consultant
