Latest lutherie – Page 8
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FocusFrom the archive: an interview with Amnon Weinstein in 1991
This photo of an experimental viola design was included in an article by Shmuel Segal in the October 1991 issue of The Strad on the Weinstein workshop in Tel Aviv. Amnon Weinstein has more recently been noted for his ‘Violins for Hope’ project
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Focus
In focus: the 1736 ‘Cessole’, ‘Teja-Ferni’ Guarneri ‘del Gesù’
Although Guarneri ‘del Gesù’ is best known for his wild, unruly later masterpieces, this 1736 violin reveals his softer side, as Carlo Chiesa explains in this focus on a Strad poster instrument first published in the July 2010 issue
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Dragonetti’s Gasparo da Salò double bass and its seismic effect on English lutherie
The importance to English bass making of the great Italian double bassist Domenico Dragonetti has been underestimated. Bass makers Thomas Martin, Martin Lawrence and George Martin reveal how the musician and his Gasparo da Salò instrument had a direct influence on London’s luthiers
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Gallery
From The Strad Calendar 2018: Stradivarius 'Chigiano' cello, 1680
Based in Cremona, the Friends of Stradivari network brings together instruments owned by collectors and stringed-instrument enthusiasts from around the world. The Strad Calendar 2018 celebrates twelve of these treasures, with this cello from the Fondazione Accademia Chigiana collection featuring in December. Text by John Dilworth
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From the archive: Rivka Golani talks about her Otto Erdesz viola
These photographs of a cutaway viola by Otto Erdesz appeared in the May 1991 issue of The Strad alongside an interview with Israeli violist Rivka Golani, who still plays the instrument to this day. An extract of the article by Mark Pappenheim is below
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From the archive: Yehudi Menuhin discusses his violins, including this Guarneri copy by Glen Collins
These photographs of a 1987 copy of the ‘d’Egville’ Guarneri by Glen Collins appeared in the April 1991 issue alongside an interview feature with Yehudi Menuhin on the occasion of his 75th birthday. The interviewer was Tully Potter – who still works with The Strad as our historical consultant
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Gallery
From The Strad Calendar 2018: Stradivarius ‘Lam, ex-Scotland University’ violin, 1734
Based in Cremona, the Friends of Stradivari network brings together instruments owned by collectors and stringed-instrument enthusiasts from around the world. The Strad Calendar 2018 celebrates twelve of these treasures, with this violin from the Lerner-Lam family collection featuring in November. Text by John Dilworth
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News
Tourte bow demolishes price records in French auction
Violin bow by François Xavier Tourte sells for €576,600 (c.$687,000) at Vichy Enchères the day after same house breaks record for violin by Vuillaume
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News
New record set for Vuillaume violin once owned by Eugène Ysaÿe
Vichy Enchères sale of Bernard Millant collection sees J.B. Vuillaume reach €260,000
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Gallery
From the archive: double basses by Montagnana, Rocca, Guadagnini and Panormo
These photos were published in the February 1991 issue of The Strad in a focus on the double bass, including a interviews with Barry Guy, and Samuel Barry Kolstein, a profile of the Ouchard bass bow making workshop, and a tribute to Towry Piper whose 1911 articles for ...
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Video
Vadim Gluzman on the 1690 ‘Leopold Auer’ Stradivarius
In this video from the Czech Philharmonic, Vadim Gluzman recalls meeting the ‘Leopold Auer’ Stradivari 21 years ago and how it feels to play the instrument which belonged to the great violin pedagogue who tauch Mischa Elman, Jascha Heifetz and Nathan Milstein
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Gallery
From The Strad Calendar 2018: Violin by Andrea Amati, c.1566
Based in Cremona, the Friends of Stradivari network brings together instruments owned by collectors and stringed-instrument enthusiasts from around the world. The Strad Calendar 2018 celebrates twelve of these treasures, with this violin from a private collection in Germany featuring in October. Text by John Dilworth
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From the Archive: the 1729 ‘Récamier’ Stradivarius from the January 1991 issue of The Strad
Mischa Elman’s violin was featured alongside an article marking his centenary, extracted from the book Mischa Elman and the Romantic Style by Allan Kozinn
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Stradivari's Cremona was an unstable place, ravaged by war and disease
Exactly 280 years ago in December, master violin maker Antonio Stradivari met his end. Here Andrew Dipper recounts how the changes that took place in Cremona during his final years influenced the creation of his later masterpieces
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Gallery
Gallery: Violin Society of America 2017 convention
The Violin Society of America’s 45th annual convention took place in Arlington, Virginia, on 9-11 November. Photographs by luthier Christopher Jacoby, editor of the VSA members’ magazine The Scroll 1. John Montgomery showing off the 1699 ‘Castelbarco’ Stradivari cello in the Library of Congress, during the ...
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From the archive: Edward Stollar at 80, from the July 1990 issue of The Strad
The head of the Phillips auction house music department in London for decades, Stollar was one of the violin trade’s most respected figures. The following is an extract from an article in the July 1990 issue of the strad by Robert Lewin
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Gallery
From The Strad Calendar 2018: Stradivarius viola, 1715
Based in Cremona, the Friends of Stradivari network brings together instruments owned by collectors and stringed-instrument enthusiasts from around the world. The Strad Calendar 2018 celebrates twelve of these treasures, with this viola from the Russian State Collection featuring in September. Text by John Dilworth
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Focus
The Brazilian lutherie tradition, forged by the contribution of Italian migrants
Largely neglected until now, the violin making tradition of Brazil is closely tied to the history of Italian immigration to the country. In this extract from the article by Marcos Schmitz and Ivan Guimarães in the November 2017 issue of Strad, Guido Pascoli is the focus
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In focus: the 1734 'Willemotte' Stradivarius violin
Florian Leonhard of London and New York dealership Florian Leonhard Fine Violins discusses the instrument now played by Leonidas Kavakos
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From the archive: Ruggiero Ricci's Curtin & Alf 1985 replica of the 'Huberman' Guarnerius
A very fine copy of a famous instrument which went on to achieve a healthy measure of celebrity on its own merits
