Historical – Page 13
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VideoThe Strad Calendar 2021: Jean-Baptiste Vuillaume violin 1848-50
This Vuillaume is a mid-period ‘del Gesù’ copy, on which the f-holes of the ‘Ole Bull’ Guarneri have been imposed
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VideoThe Strad Calendar 2021: Giuseppe Guarneri ‘del Gesù’ violin 1744
Guarneri’s carving is free and energetic, the movements of the tools quick and deep
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FocusThe Strad Calendar 2021; Nicolas Lupot cello 1823
The Lupot cello is a wonderful piece of controlled craftsmanship, and bears his personal signature on the back
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Premium ❘ FeatureCarlo Bisiach: Dispatches from the front line
Gennady Filimonov examines the letters between Carlo Bisiach (1892–1968) and his American representative Leo D. Larsson, which provide a fascinating perspective on the violin trade in the 1930s and 40s, as well as an insight into the Italian luthier’s working methods
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Premium ❘ FeatureHollywood Bow Makers: Unsung heroes of the silver screen
Lasting from the late 1920s to 1960, Hollywood’s golden age was a boom time for musicians, and those who catered for them. Raphael Gold tells the stories of some of the era’s best-regarded LA bow makers, and reveals why their work should be better known today
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FocusWhat is it like to play Wolfgang Amadeus Mozart’s own violin?
Christoph Koncz, principal second violinist of the Vienna Philharmonic, shares his experience
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FocusThe Strad Calendar 2021: Francesco and Giovanni Grancino viola c.1665
The varnish of the Grancino is most beautiful and wonderfully well preserved
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VideoThe Strad Calendar 2021: Francesco Rugeri cello c.1680
This poplar-backed cello is clearly very similar in form and modelling to Amati patterns
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VideoCremonese makers launch video showcase
In response to the Covid-19 pandemic and its effect on Italian lutherie, a group of violin makers in Cremona have put together a video showcasing their working methods. The aim is to demonstrate the vibrancy and industriousness of today’s luthiers, as Antonio Stradivari wanders the streets of modern-day Cremona, viewing ...
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VideoThe Strad Calendar 2021: ‘Arditi’ Antonio Stradivari violin
This year’s calendar contains twelve masterpieces by Stradivari, Guarneri ‘del Gesù’, Rogeri, Vuillaume and many more
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VideoVideo: Violin Makers – The Renaissance of Italian Lutherie
A 60-minute documentary featuring interviews with some of the greatest 20th-century Italian luthiers
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Premium ❘ FeatureFrom the Archive: October 1950
Kenneth Warren makes a pilgrimage to Oxford to view Stradivari’s famed ‘Messiah’ violin – an undoubted highlight of the respected US violin dealer’s career
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Premium ❘ FeatureNot Quite Cinderella: The Viola in Late-Georgian Britain
Britain during the late Georgian era was fertile ground for the viola as a serious chamber and solo instrument – and witnessed a flourishing in standards of playing and making, writes Kevin MacDonald
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Premium ❘ FeatureThe Lost Art of Cremonese Violin Archings
The old Cremonese luthiers’ method of designing violin archings has been lost in the mists of time. Andrew Dipper uses evidence from 18th-century manuals to propose how they might have done it, through a system encompassing string lengths, internal forms… and a lot of mathematics
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VideoThe Strad Calendar 2021: G.B. Guadagnini cello 1783
Formerly owned by Rostropovich, the fully arched model provides great depth of tone
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VideoThe Strad Calendar 2021: Tommaso Balestrieri violin 1759
The Balestrieri has a fine and well-preserved covering of rich red-brown varnish, which has worn softly in the manner of Cremonese recipes
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Premium ❘ FeatureGiuseppe Ceruti: In the name of the father
The Cremonese luthier Giuseppe Ceruti is often overlooked in favour of his more famous son, Enrico. Duane Rosengard examines two matching double basses by Giuseppe to discover the secrets of his making style
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Premium ❘ FeaturePride of Norway: The Strad calendar 2021
The Strad’s 2021 Calendar celebrates 15 years since the start of the Dextra Musica foundation, whose instrument collection has swiftly become one of the finest in the world. Unlike many other valuable collections, these instruments are in daily use. John Dilworth highlights some of the treasures