Featured Stories – Page 5
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Pavel Haas Quartet at 20: Coming home
The energetic and eloquent musicians of the Pavel Haas Quartet are celebrating 20 years of music making with a new recording of Brahms quintets joined by some old friends, as they tell Tom Stewart
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‘I’ve always been led by music’: cellist and gambist Christophe Coin
For Christophe Coin, the French cellist, gambist and musical time-traveller, historically informed performance practice involves a combination of forensic-level investigation and leap-of-faith creativity. In conversation with Helen Wallace, he describes the instruments and scholarship behind his work as an interpreter
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Blogs
From page to performance, with the help of the composer
Cellist Thomas Carroll shares his experience of working with composer Cheryl Frances-Hoad on her new work for solo cello, Excelsus
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‘Where else may there be thriving, yet-to-be-discovered hubs of violin making?’: Letters to the Editor June 2022
A selection of letters The Strad receives each month from its readers around the world: June 2022 issue
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Sentimental Work: Renaud Capuçon
Despite being a ‘non-violinistic’ piece, the Brahms Violin Sonata no.1 stands out for the French violinist as the work that helped him discover the wonders of chamber music
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Historically informed performance: Baroque revolution
Historically informed performance requires no secret code, argues Baroque violin professor Walter S. Reiter. The information is out there for the taking, and modern music colleges need to get ahead of the game
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Session Report: A royal consort
Richard Boothby of Fretwork speaks to Robin Stowell about the ensemble’s recording of fantasias for viol consort by Thomas Lupo, the Italian who made a name for himself at Queen Elizabeth I’s court
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Pietro Castrucci: Resurrecting a Baroque maverick
When Gerald Elias unearthed music by the little-known London-based 18th‑century composer and virtuoso violinist Pietro Castrucci, he discovered a unique and independent musical voice
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Blogs
Defending the duet: the Cello and the Nightingale
Patricia Cleveland-Peck offers her rebuttal of recent claims that Beatrice Harrison’s historic 1924 duet with a nightingale was faked
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Blogs
‘When I am in tune, my body knows it’: playing with multisensory aphantasia
How do you tell a story with music when your mind cannot picture images? Violist and clinical telehealth therapist Neesa Sunar explains her tactile approach to music making
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Blogs
5 insights on historically informed performance from The Strad archives
Whether you are an historically informed professional or just looking to expand your knowledge, we’ve pulled some interesting articles out of our archive just for you.
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Opinion: A New Deal for Early Music
Covid-19 has highlighted the economic inequalities that divide musicians who perform on period instruments from the majority of today’s string players, says Andrew Mellor
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Feature
Sentimental Work: Amanda Forsyth
For the Canadian cellist, Richard Strauss’s Don Quixote is a rollercoaster ride through all the composer’s Romantic works, as well as a huge physical challenge
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Astrid Schween: Life Lessons
The Juilliard Quartet cellist recalls her many tutors and stresses the importance of staying curious
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Sentimental Work: Arnold Steinhardt
For the former leader of the Guarneri Quartet, Schubert’s Fantasy in C major is one of the most life-affirming works in the repertoire, as well as a test of technical skill
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Cello explorations: Postcard from Dublin
Adrian Smith spent a weekend in Dublin exploring the delights of Spike Cello Festival, a vibrant ‘alt-cello’ weekend that celebrates the versatility of the instrument beyond the core classical repertoire
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Focus
Sentimental Work: Matt Haimovitz
For the cellist, Ligeti’s Sonata for Solo Cello was the doorway into the complex world of modern and non-classical music – with a little help from the composer himself
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Article
Sentimental Work: Viktoria Mullova
The Sibelius Violin Concerto played a pivotal part in the Soviet-born violinist’s life – even though it was unknown to her until the age of 18
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Viktoria Mullova: Her infinite variety
Violinist Viktoria Mullova talks to Toby Deller about her eclectic musical collaborations, mastering the art of improvisation, experimenting with technique, and her new Schubert recording with pianist Alasdair Beatson
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Blogs
Feeling powerless as a musician in the face of the climate crisis? 6 ways to take positive action
Musicians are in a unique position to make a difference in the face of climate and ecological breakdown, writes cellist Sophie Gledhill