January 2019

2. Front Cover 580x800

  • Isabelle Faust: The German violinist on decoding Mozart’s musical language in her new violin sonatas album
  • Daniel Müller-Schott on his latest Russian music project
  • Tech round-up: apps and accessories for students and teachers
  • Lloyd Swanton: the double bassist on improvisation and more
  • The story of Renzo Bacchetta, co-founder of the Cremona Violin Making School
  • Luthier Kevin Kelly on the geometric principles of instrument patterns 
  • In Focus: A violin by Guarneri ‘filius Andreae’ that also bears the distinctive hand of ‘del Gesù’
  • Trade Secrets: Bending a viola da gamba back with Gabriela Guadalajara
  • My Space: The husband-and-wife lutherie team of Mira Gruszow and Gideon Baumblatt
  • Making Matters: Mass, density and CT scans with Steven Sirr and John Waddle
  • Life Lessons: Memories and advice from Anne-Sophie Mutter
  • Postcard from Hanover: The Joseph Joachim International Violin Competition
  • Postcard from Munich: Violists and piano trios perform at the ARD Competition
  • Masterclass: Lynn Harrell on Beethoven’s Cello Sonata no.4
  • Technique: Tracy Silverman shows how to adapt guitar technique for jazz and pop violinists
  • Sentimental Work: Bassist Rick Stotijn on his affection for a little-known work by Joseph Marx
  • Plus our String Courses 2019 supplement

In this month’s digital edition:

  • Listen to clips from Isabelle Faust’s latest CD of Mozart sonatas, along with the chance to win the album in our latest competition [weblink here]
  • View extra photos of this month’s In focus instrument, a fascinating Guarneri ‘filius Andreae’ which bears all the hallmarks of ‘del Gesù’ as well
  • More images from the ARD Competition in Munich, including the full jury line-up and photos from backstage
  • CT scans from Stradivari and Amati cellos, to support this month’s Making Matters - an exploration into the design and carving of their front and back plates
  • A video explaining Kevin Kelly’s ingenious ‘Four Circles’ method of violin design
  • And, as ever, clips from the three of recordings which earned this month’s ‘The Strad Recommends’ labels

The digital magazine and print edition are on sale now.

 

Do YOU have something to say about the new issue – or about the strings world generally? Send letters to the editor at thestrad@thestrad.com.

SUBSCRIBE TO THE STRAD

Since its launch in 1890, the magazine has brought its readers the best features, comment and analysis on all issues of interest to string teachers, players, students, instrument makers and enthusiasts. Authoritative, trusted and influential, The Strad keeps readers informed about the latest news, ground-breaking research and techniques in all aspects of playing and making stringed instruments through its print and digital platforms.

Included in subscription:

  • Twelve issues delivered direct to your door
  • Two posters showcasing exemplary instruments from the great makers of the past
  • The Strad Directory: the essential guide for the string music industry, with global listings for businesses, artisans and organisations
  • String Courses: international short courses for players and makers
  • Degrees: a directory of courses for string players and teachers worldwide
  • Accessories: Reviews and features on essential items for your instrument case and workshop

     

    Subscribe Now

 

MISSED AN ISSUE?

Download every recent edition of The Strad now

  • January 2019

  • December 2018

  • November 2018

  • October 2018

  • September 2018

  • August 2018

  • July 2018

  • June 2018

  • May 2018

  • April 2018

  • March 2018

  • February 2018

  • January 2018

  • December 2017

  • November 2017

  • October 2017

  • September 2017

  • August 2017

  • July 2017

  • June 2017

  • May 2017

  • April 2017

  • March 2017

  • February 2017

  • January 2017

  • December 2016

  • November 2016

Stradivari’s brilliant red varnishes

conservatoire auditions

 

 

Gingold, Heifetz and Galamian

 

 

 

The record-breaking c.1773 ‘Sinzheimer’ violin by G.B. Guadagnini

A jig for arching corrections

Russian-born luthier Yuri Pochekin

Steve Rossow’s various techniques for teaching violin making

 

Australian violist and composer Brett Dean

 

 

British cellist Guy Johnston discusses Mendelssohn’s Variations op.17

gives his ingenious strategies for functional fingering

explains his love for Myaskovsky’s 1944-5 Cello Concerto