In The Strad's September 2015 issue, cellist Myles Jordan gives a detailed analysis of bow changes, particularly focusing on how mastering the collé change gives a seamless transition. Here he gives an audio–visual demonstration.
Boris Begelman performing Violin Partita No. 3 in E Major, BWV 1006: III. Gavotte, by J.S. Bach.
In the April 2018 issue of The Strad, Tim Homfray reviews Begelman’s recording of the complete Sonatas and Partitas as ’emotionally rich, musically satisfying and always entertaining’.
In this mini documentary, cellist Laura van der Heijden, pianist Petr Limonov and music historian Marina Frolova-Walker talk about why 1948 was such a watershed moment in Russian music, and why it became the focus of Van der Heijden’s debut CD
Read: CD review – ‘Outstanding, original Russian