Do you have a burning question about any aspect of the string world but have never known whom to ask?
It is a wonderfully expressive tool when used sensitively, but soloists especially should take greater advantage of the variety of vibrato possibilities, writes violist Hartmut Rohde
In this article from the October 2010 issue, Christopher Reuning examines a violin by Carlo Bergonzi’s eldest son which has previously been misattributed as a Guarneri ‘del Gesù’ and Lorenzo Guadagnini
Sometimes parents can be more of a handful than their sons and daughters. Catherine Nelson provides essential tips for dealing with misguided parent power
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