All Premium content – Page 3
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Premium ❘ FeatureCello bridge design: X marks the spot
For many years the design of the cello bridge has remained constant – but could it be improved? Sebastian Gonzalez presents the results of a comparison between the standard French bridge and a newly designed model, while Gaian Amorim tracks the development of the bridge
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Premium ❘ FocusPostcard from Beijing: Global Music Education League competition
The first violin edition of the Global Music Education League competition took place in Beijing following a four-year delay due to the pandemic. Emma Baker travelled to China to hear the finals
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Premium ❘ ArticleAnalysis April 2024: Discrimination towards LGBTQ+ musicians
A new report highlights the experience of LGBTQ+ musicians in the UK’s orchestral landscape, revealing that discrimination is still all too common in such environments
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Premium ❘ FeatureViolinist Joshua Bell: ‘Everybody’s playing like their life depends upon it’
Violinist Joshua Bell chats with Pauline Harding about transcending the pyrotechnics of Paganini, the inspiring ethos of the Academy of St Martin in the Fields, and celebrations to mark the centenary of the orchestra’s founder, Neville Marriner
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Premium ❘ Feature'Your own voice must be in charge': Creating an improvised violin concerto
Can a new work encourage young, classically trained string players to lose their fear of improvisation and find their individual voice? Violinist Christina Åstrand and composer Signe Lykke explain the concept to Andrew Mellor
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Premium ❘ Focus‘So don’t sit around and think – go and find your audience!’ - Tai Murray’s life lessons
The US violinist on finding your voice and the transition from student to professional
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Premium ❘ ArticleApril 2024: Editor’s welcome
Editor of The Strad Emma Baker introduces the delights contained in the April 2024 issue
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Premium ❘ Article‘How many repairers encountered smashed cello necks?’ - Letters to the editor April 2024
A selection of letters The Strad receives each month from its readers around the world: April 2024 issue
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Premium ❘ ArticleProducts April 2024: Gewa High Performance Carbon 2.7 cello case
Gewa reveals its lightest cello case yet
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Premium ❘ ArticleProducts April 2024: Grandi Liutai half-round rasp
The rasp was developed for comfort and consistency
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Premium ❘ ArticleProducts April 2024: Cello Buggie
A new version of the company’s popular Bass Buggie
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Premium ❘ NewsCompetitions, Awards and Appointments: April 2024
The latest competition results, appointments and forthcoming contests
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Premium ❘ FeatureDouble bass set-up: not a giant violin
The size and shape of the double bass mean its set-up differs greatly from the other bowed stringed instruments. Bass maker Arnold E. Schnitzer presents a comprehensive guide, designed for both luthiers and practically minded bassists
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Premium ❘ FeatureBaby on board: string soloists share their parenting stories
A life of performing, touring and rehearsing might seem impossible with a young child in tow – so how do so many soloists manage it? Catherine Nelson finds out, in this article from our May 2012 issue
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Premium ❘ FocusOpinion: The benefits and challenges of playing at the back of the section
While the musicians at the front of an orchestral string section might be in the spotlight, every string player should experience the unique challenges of sitting towards the back, says violinist Alexandra Gorski
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Premium ❘ NewsPremiere of the Month: Errollyn Wallen on her new string quintet
A new viola-focused quintet based on musical contrasts
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Premium ❘ FeatureViolin maker Otto Schünemann: A Romantic visionary
Although Otto Schünemann’s violins were praised by everyone from Vuillaume to Sarasate, his name is barely recognised today. Clifford Hall tells the story of this idealistic luthier who strove to bring the glories of the Cremonese masters to 19th-century Germany
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Premium ❘ FeatureIn Focus: An 1899 viola by Luigi Rovatti
Lionnel Genovart looks at the Buenos Aires-based Italian luthier’s late-century instrument
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Premium ❘ FeatureMaking Matters: The ‘golden ratio’ in violin making
Violin maker Wolfgang Schiele argues that the influence of the ‘golden ratio’ on painting, architecture and lutherie supports the idea of a perfect form for instruments
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Premium ❘ Focus‘I like to run my section in a cooperative way’ - Christopher Hanulik’s Life Lessons
The US double bassist on his early influences and lessons learnt from his nearly four decade-long principal position at the LA Philharmonic