Lutherie
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FocusIn focus: a 1895 violin by Eugenio Degani
A very fine and representative example from the most accomplished period of the grandfather of the modern Venetian school. Article by Roland Baumgartner, photos by Gertrud M. Reuter
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Focus
In focus: Pablo Casals' 1733 Goffriller cello
The cello on which Pablo Casals made his landmark recordings was for a long time believed to be by Bergonzi, writes Philip Kass
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Focus
Do violin making competitions stifle originality in favour of perfection?
Peter Somerford asks what luthiers should do to maximise their success when entering a competition, and whether winning really is everything
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Video
The most common types of violin makers, ep.2
Oslo based violin maker Jacob von der Lippe’s second compilation of violin maker types, from accident prone to always dusty. For the first video, click here
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News
In focus: a 1720 cello by Michele Platner
Christopher Reuning looks at an instrument which could be confused with one by Tecchler, but is actually by the other great Roman cello maker
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Focus
What's the difference between a £1,000 and a £20,000 violin?
How do violin dealers and auction houses settle on the prices of instruments in the ‘middle range’ – and what should a potential buyer bear in mind when browsing?
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Gallery
In focus: the 1744 'de Bériot' Guarneri 'del Gesù'
In this article from July 2015, David Rattray takes a look at a highly refined instrument that kicks against the constraints of conformity
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Focus
In focus: the 1686 'Helvetica' Stradivari
In this article from the December 2015 issue, David Bonsey takes a look at a violin from early in its maker’s career, but already a few steps along a crucial design evolution
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Video
Experimental 1872 cello played by Raphaël Pidoux
In this video from the Musée de la musique at the Philharmonie de Paris, Raphaël Pidoux plays an experimental cello made by luthier Thomas Zach in 1872. The piece is the Humoreske op.11 no.2 by David Popper, the cellist who showcased this very instrument at the Vienna World’s Fair ...
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Focus
New materials: Comparing violin tops made from various composites
Tim Duerinck reports on a research project investigating the possibilities of flax, carbon, aramid and more in violin making, while describing the surprisingly simple methods luthiers could use to create their own
