All varnish articles
-
Focus
The components of violin varnish
In this extract from November 2007, Joe Robson explores the history and methods of making violin varnish
-
Premium ❘ Feature
Cremonese varnish: Shining example
A close look into the history and chemistry of varnish making can shed new light on the mysteries of classic Cremonese varnish, as Joe Robson explains, in this lutherie feature from November 2007
-
Focus
Discovering the composition of historical varnishes
In this extract from the October 2021 issue, Balthazar Soulier, Stefan Zumbühl and Christophe Zindel introduce their study of minerals historical varnishes
-
Premium ❘ Feature
Recipe for success: Stradivari’s varnish
The search for Stradivari’s varnish formula has continued since the 18th century, but there have been few scientific analyses of the varnish itself. Stewart Pollens reveals the results of his recent study of the varnish on five of Stradivari’s instruments, in this feature from May 2009
-
Premium ❘ Feature
Stradivari’s varnish: a chemical analysis
Jean-PhilIppe Echard and Balthazar Soulier reveal the results of their seven-year research into Stradivari’s varnish, using five of the master’s instruments from Paris’s Musée de la Musique. From April 2010
-
Review
Book review: The Art of Violin Retouching: Layers, Colors, Depth and Antiquing
John Dilworth reads the second edition of Brian Epp’s lutherie guide, including a new chapter on antiquing
-
Premium ❘ Feature
Varnish analysis: shining examples
Identifying the varnish recipes of the early makers has been a long-held dream among researchers. Now, a team at the Arvedi Laboratory of Non-Invasive Diagnostics, headed by Marco Malagodi, has used a new form of micro-CT scanning to delve further into an instrument’s coatings than ever before
-
Video
Luca Ruggiero: Spreading varnish with the fingers
The Italian luthier demonstrates his personal technique for applying varnish on a finished instrument
-
Focus
Re-rediscovering the lost secrets of classical varnish
When Koen Padding died in 2012, the violin making community was not just bereft at losing a loyal friend but also thrown into confusion about whether his varnish making knowledge, on which many relied, was gone with him. As a collection of his writings is republished, we take a look ...
-
Focus
From the archive: kitchen stove-top experiments in Cremonese varnish
In the April 1938 issue, a hapless amateur maker relates his unfortunate experiences while attempting to find the ‘secret’ of Stradivari
-
Focus
From the archive: a 1712 viola by Giovanni Grancino
Published in the January 1989 issue of The Strad and also featuring on its cover, these photos accompanied an article by Roger Hargrave, an extract of which appears below
-
Focus
Making matters: ground prep
Since time immemorial, makers have searched for the perfect varnish recipe, and take great care of the ground – but often fail to realise the importance of preparing the wood first. Christopher Jacoby gives a crash course in ‘ground prep’
-
Focus
8 tips for perfecting your violin varnish
Advice from The Strad Archive on preparing, applying and drying varnish for best results