All Fauré articles
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Review
Laura van der Heijden: Path to the Moon
Fine musicianship can’t quite overcome a flawed programme concept
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Review
The Strad Recommends: Timothy Ridout: A Lionel Tertis Celebration
A viola legend is celebrated by a star of a new generation
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Review
Elena Urioste: Le Temps Retrouvé
Another voyage of discovery from this dynamic musical couple
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Review
Suyeon Kang (violin) Karolina Errera (viola) Andrei Ioniță (cello) Cătălin Șerban (piano) : Mélodies Infinies
Teacher and student meet in a persuasive pairing
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Review
The Strad Recommends: Anastasia Kobekina: Venice
Venice offers depths of inspiration in a memorable debut
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Review
Bruno Philippe: Fauré, Franck, Poulenc, Saint-Saëns
Plenty to admire here, with Poulenc’s underrated sonata stealing the show
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Review
Christoph Croisé: 1883
A programme built around a single year produces interventionist performances
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Review
Gautier Capuçon: Destination Paris
Plenty of affection in a cellist’s homage to his home city
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Review
Brodsky Quartet, Laura van der Heijden: Golden Oldies – More Favourite Encores
A joyous jumble of encores from an ever-youthful quartet
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Review
Concert review: Steven Isserlis (cello) Connie Shih (piano)
Dennis Rooney hears a recital of Hahn, Fauré, Adès, Schumann and Brahms at Shriver Hall in Johns Hopkins University, Baltimore, on 23 October 2022
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Review
David Nadien: Debussy, Fauré, Franck, Ravel, Schubert
Outstanding Debussy from this much-missed concertmaster
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Review
Concert review: Grace Park (violin) Joseph Liccardo (piano)
Bruce Hodges attends the all-French recital at New York’s Weill Recital Hall on 13 December 2021
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Review
Daniel Müller-Schott: Four Visions of France
German cellist brings an international feel to collection of Gallic works
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Review
Book review: The Sheku Kanneh-Mason Cello Collection
Janet Banks reviews the superstar cellist’s first compendium of pieces for his instrument
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Review
Théotime Langlois de Swarte: Proust, Le Concert Retrouvé
An exquisite musical madeleine to be enjoyed again and again
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Review
Steven Isserlis: Music from Proust’s Salons
Isserlis and Shih’s Proustian programme is full of spontaneity and lyrical delight
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Review
Gautier Capuçon: Emotions
A collection of popular encores that strikes exactly the right note
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Review
Matt Haimovitz: Mon Ami, Mon Amour
Plenty to enjoy in a recital that explores a wide variety of French cello music