The Strad's experts evaluate the latest string recordings
Musique romantique. Arensky: Quartet in A minor op.35 for violin, viola & two cellos. Sauter: Musique romantique for solo cello & string trio. Tchaikovsky: Andante cantabile for solo cello & string trio
A satisfying programme of cello-led string works
Wednesday, 20 August 2014
Ten Hagen Quartet, Matthias Bartolomey (cello)
Arensky, Sauter, Tchaikovsky
ARS 38 142
This well-thought-out and original CD has satisfying symmetry to it. Arensky’s Quartet, its middle movement a set of variations on Tchaikovsky’s ‘When Jesus Christ was but a child’, is paired with a three-movement quartet by German composer Ernest Sauter (1928–2013), written for Arensky’s centenary, and using one of the Russian’s own children’s songs as the theme for its central variations movement.
The young German performers create a gentle, burnished sound at the opening of the Arensky, the two cellos enhancing the sombre quality of the orthodox chant. This is a delightfully fresh and fluid interpretation of the quartet, with the players especially revelling in the myriad textures of the second movement.
With impressive family fairness (the quartet members are all siblings) the first violin chair passes from Kathrin Ten Hagen to younger sister Leonie for the remaining works. In Sauter’s expressionistic Musique romantique, Matthias Bartolomey’s solo cello is often subsumed within the quartet texture, but also emerges for a sonorous, double-stopped cadenza. The players throw themselves into this intricately crafted piece, attacking its polyrhythmic textures and expressive dissonances with energy, and tenderly cherishing Arenksy’s lullaby in the second movement.
Tchaikovsky’s Andante cantabile brings this exceptionally well-recorded disc to a beautifully soothing close.
From the September 2014 issue. Subscribe to The Strad or download our digital edition as part of a 30-day free trial.