The Strad's experts evaluate the latest string recordings
Gál: Serenade in D major op.41; Trio in F sharp minor op.104. Krása: Tanec; Passacaglia and Fuga
A disc of string trios where time and place play an inescapable role
Wednesday, 26 December 2012
Ensemble Epomeo: Caroline Chin (violin) David Yang (viola) Kenneth Woods (cello)
Avie AV 2259
Here is music for string trio by two composers of Jewish heritage from the same generation, whose experience of the cold hand of Nazism resulted in different fates. The Viennese Hans Gál managed to escape to Britain in 1938 and lived to the ripe old age of 97; the unluckier Czech-born Hans Krása enjoyed, if that’s the word, a brief stay of execution at the Jewish show camp of Terezín before being murdered in Auschwitz aged 44.
The players of Ensemble Epomeo capture the charm of Gál’s delightful neo-Classical Serenade (1932) with a sense of line and subtlety of texture. But, one feels, they could have brought more muscle to the emotional sound world of the F sharp minor Trio, with its nostalgic throwback to a pre-war Vienna viewed from the sanctuary of 1970s Edinburgh (and which in its original version included a viola d’amore). However, they certainly don’t hold back in the short Krása pieces, written during the composer’s last days in Terezín. Here they exploit the dance-of-death tendencies of the Tanec and the sense of order overthrown in the Passacaglia and Fuga (each of which dissipates into Expressionist anarchy) and a frighteningly challenging end. A warmly recorded but thought-provoking disc.
From the December 2012 issue. Subscribe to The Strad or download our digital edition as part of a 30-day free trial.