The Strad's experts evaluate the latest string recordings
Beethoven: Piano Trio in E flat major op.1 no.1. Armstrong: Stop laughing: we’re rehearsing! Haydn: Piano Trio in D major HobXV:24. Liszt: Tristia (Vallée d’Obermann)
A novel setting for two elegantly played Classical piano trios
Monday, 26 November 2012
Andrej Bielow (violin) Adrian Brendel (cello) Kit Armstrong (piano)
Beethoven, Armstrong, Haydn, Liszt
GENUIN GEN 12239
An unusual mix of works characterises this release from Ukrainian violinist Andrej Bielow, British cellist Adrian Brendel and the 20-year-old pianist Kit Armstrong (protégé of Brendel’s father, Alfred). A prolific composer as well as a pianist, Armstrong has contributed a work of his own – Stop laughing: we’re rehearsing! With a densely contrapuntal, keenly argued first movement echoing the mood of Viennese Expressionism, it’s a serious work (notwithstanding its title) and the players embrace its psychological core as much as the scherzo-like tint of its middle movement.
Liszt’s Tristia – the composer’s late-in-life arrangement for piano trio of ‘Vallée d’Obermann’ from his first book of Années de pèlerinage – is an enticing novelty. If Bielow sounds less rich in places, compared to Brendel’s naturally open, freewheeling cello lines (beautifully conveyed on this recording), it’s almost always in places where Liszt sets the violin writing high. Collectively there’s a lack of crushing weight in the work’s climax.
It’s in the two Classical-period pieces that this disc most impresses. Beethoven’s First Piano Trio is not only crisply turned out but unfailingly elegant and spirited, yet never forced. The trio section of the scherzo is gorgeously still and distant but lingeringly sustained. Haydn’s D major Trio is similarly successful, and its Andante acquires a hue of dark urgency, despite its lightness of touch and relaxed tempo.
From the November 2012 issue. Subscribe to The Strad or download our digital edition as part of a 30-day free trial.