The Strad's experts evaluate the latest string recordings
Beethoven: Cello Sonata no.1 in F major op.5 no.1. Mendelssohn: Cello Sonata no.2 in D major op.58. Webern: Cello Sonata, Langsam from Zwei kleine Stücke. Rachmaninoff: Cello Sonata in G minor op.19. Shostakovich: Largo from Cello Sonata in D minor op.40
A promising debut from a young Swiss cellist
Sunday, 26 February 2012
Lionel Cottet (cello) Louis Schwizgebel-Wang (piano)
Here, two 21-year-old Swiss musicians present a wide-ranging programme at a concert recorded last December in the Great Hall of the Geneva Conservatoire. As a calling card this self-published disc makes an impressive entry point, though in terms of a commercial release it faces competition from the world’s greatest cellists.
But what price do you put on youthful spontaneity when playing music by an equally youthful Beethoven? The long sweeping phrases, buoyant vivacity and tonal beauty of Cottet’s Jean-Baptiste Vuillaume cello are more than sufficient to excuse some suspect intonation. I equally like the players’ fresh-faced account of Mendelssohn’s Second Sonata, where Louis Schwizgebel-Wang is excellent in the mercurial moments entrusted to the keyboard. If Cottet’s tuning is again compromised, he nevertheless shows a nimble left hand and a bowing arm capable of seamless passages of lyric beauty.
The duo delights in the big gestures of the Rachmaninoff Sonata, the outgoing piano at times urging the tempo on, with the outer sections of the second movement taken very quickly. Cottet’s intonation again sounds tired by the finale, though his Andante is rapt and very tender. There were two short encores, with Webern’s Langsam complementing the composer’s short Sonata included in the main body of the programme. The two short discs are well balanced in terms of sound and engineered to studio quality.
From the February 2012 issue. Subscribe to The Strad or download our digital edition as part of a 30-day free trial.