Titling this issue ‘Bach Concertos’ is misleading – the disc actually comprises accounts of two of Bach’s accompanied sonatas and three concertos involving one violin. Janine Jansen and her father perform the sonatas, in E major BWV1016 and C minor BWV1017, with striking flexibility and expressive subtlety. Highlights include the two sublime slow movements of BWV1016, the sheer gravitas of the opening Siciliano of BWV1017 and the duo’s intuitive interaction in the ensuing Allegro. Regrettably, the harpsichord is too distant in the balance.
Jansen’s contribution in the A minor and E major concertos is unusually understated, but she gives assured, musical and polished readings, receding into the background whenever the melodic interest is elsewhere. The outer movements, often on the fast side, are infused with crisp articulation, lightness and rhythmic verve, but dynamic variation and ornamentation are limited. The slow movements are allowed full expressiveness without sentimentality.
Oboist Ramón Ortega Quero joins her in an impressive account of BWV1060 featuring much sensitive solo interplay, especially in the central Adagio’s flowing dialogue over a sustained organ and largely pizzicato string accompaniment. The orchestral playing is unanimous and clear-textured and the detailed, well-focused recording has plenty of bloom, emphasising the beautiful sonority of Jansen’s 1727 ‘Barrere’ Stradivari.
From the March 2014 issue. Subscribe to The Strad or download our digital edition as part of a 30-day free trial.